![]() While we’re all longing for that August release, the waiting period is a perfect opportunity to brush up on - and celebrate - the wonderful twists and turns of Miller's career up to this point. In the four decades since, Miller has written, produced, and/or directed more than a dozen other films, launched two successful franchises and won an Oscar (for Best Animated Feature Film with 2007's Happy Feet).Īfter a seven-year hiatus, Miller is back with Three Thousand Years of Longing, starring Tilda Swinton as a scholar traveling in Istanbul, and Idris Elba as a djinn who offers her three wishes in exchange for his freedom. But while working in a Sydney emergency room (and seeing all manner of car-related injuries), Miller hatched the idea for Mad Max, and the rest is history. Although Miller had enjoyed making and collaborating on short films for years by that point, he also attended medical school and was a practicing doctor for most of the 1970s. Slake and Savannah Nix, the two tribal elders. The Tell derives inspiration from tribal story-circles and, like traditional myth, provides the tribe with a tale of their origins. Max witnesses it during the events of Mad Max: Beyond Thunderdome. The cast, set pieces, music, and gorgeous visuals paired with Miller's practical effects made this the best film in the series.When George Miller's feature directorial debut - a low-budget car-chase thriller called Mad Max - debuted in the spring of 1979, the then-34-year-old Aussie filmmaker probably seemed like an unlikely bet to become a world-renowned auteur. 'We don't need the knowing, we can live here.' The Tell The Tell is a social group ritual practised amongst The Lost Tribe in Crack in the Earth. However, it was Theron's turn as Imperator Furiosa that stood out adding an intense dose of feminism set against a male-dominated backdrop created by the villain Immortan Joe and his War Boys. In it, Hardy's Max finds himself helping a group of women escape the clutches of the dastardly warlord, Immortan Joe. ![]() Essentially acting as one long car chase, Fury Road never lets up on the action. The film would wind up winning six of those Oscars including Best Production Design and Best Film Editing.įury Road was in fact a stunning visual masterpiece. Fury Road would go on to be nominated for a whopping 10 Academy Awards including Best Director and Best Film. On paper, the movie sounded like it had all the makings of a massive bomb yet it went on to become one of the most important and critically acclaimed films of the 2010s. The sequel no longer had the original star that made Mad Max famous to begin with, the stars of the film were fighting on set, and the film would wait nearly two years before finally being released in 2015. The odds were as stacked up against Fury Road as they could possibly be. Reshoots and a less than stellar working relationship between Hardy and Theron muddled the production. After adding Oscar winner Charlize Theron, Miller finally began production on the fourth film in the franchise. The preproduction of the film was so dragged out that Gibson would end up being replaced by the younger Tom Hardy. Miller's continuation of the franchise that made him famous was in development hell for years. There was seemingly no real chance that Mad Max: Fury Road would work. That paired with cinematographer, Dean Semler's widescreen view of the vast Australian desert and Miller's knack for shooting an epic car chase proved to be the perfect recipe for this iconic entry into the Mad Max canon. One of the most enduring images of the film continues to be the leather-clad aesthetic of the roving marauders. Miller's vision alongside his collaborators went on to create a specific image of the post-apocalyptic film that would go on to be utilized by filmmakers for years to come. Now wandering the desert after the chaos that ensued in the first film, The Road Warrior found Max acting as a sort of lone gunman tasked with helping a group of settlers at the mercy of a group of marauders. Gibson came into his own as the silent protagonist that Max would become to be known as. Now working with a budget under $5 million, Miller expertly crafted a post-apocalyptic landscape that would become a template for the rest of the series. The second film in the series, Mad Max 2: The Road Warrior took everything from Mad Max and expanded on it in an explosive way.
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